Tenuta di Montegiove, 05010 Montegabbione (TR), Umbria, ITALIA.
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HISTORY OF THE CASTLE OF MONTEGIOVE

CASTLE OF  MONTEGIOVE
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CASTELLO DI MONTEGIOVE
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MONTEGIOVE SLOT
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SCHLOSS MONTEGIOVE
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The castle of Montegiove rises on a hillside on the border between the old city-states Orvieto and Perugia. The name of the castle originates from the existence of a Roman temple dedicated to “Jupiter elicius” proven by the discovery of two votive terracotta heads of the God.

In the middle ages, Montegiove was one of the thirty-two villages belonging to Orvieto. The construction of the castle itself was due to the efforts of the family Bulgarelli, the counts of Parrano and Marsciano, and took place sometime between 1278 and 1282. Precise historic documents show that in 1282 Nerio, son of Bulgaruccio and a follower of the “rules” of St. Francis, obtained the permission from the bishop of Orvieto to construct an oratory on the territory of Montegiove close to the castle.  Consequently we might deduct that the castle was already constructed. The original shape of the castle was a simple construction with one egg-shaped ring wall with a low tower at the entry, an open tower in one side with the still existing door provided with portcullis, the tower lingering over a still existing low arcade in the typical Orvieto stile. The buildings were leaning to the ring wall and in the inner courtyard was a tall tower, a so-called donjon and a cistern.

The 1363 Orvieto Register lists Montegiove Castle among the belongings of the Bulgarelli family. The counts Bulgari or Bulgarelli, descending from a Longobard family, were split into more branches i.e. the counts of Parrano, Montegiove and Marsciano, of which the first two branches quickly were extinct, in particular the Montegiove branch with the Holy Angelina, countess of Montegiove, who remained a widower and founded the first convent in Foligno. This very convent was the home of Rafael’s famous painting “the Madonna of Foligno” until it was taken as loot by Napoleon’s army in 1799 (now to be seen in the Vatican Museum). The coat of arms of the Bulgari of Montegiove with the three lilies and the imperial eagle dated 1387 can still today be seen at the original entrance of the castle.

Through marriage Montegiove becomes the property of the family Monaldeschi della Vipera, known for the Guelf fights against the Filippeschi as described in Dante’s Purgatorio VII’s song “viene a vedere Montecchi, e Cappelletti Monaldi a Filippeschi, o uom senza cura”. In the fourteen’s century mercenaries and their “condottieri” were responsible for the outbreak of fights and battles all over the peninsula. This involved also Umbria as there were continuous fights between the condottieri like Attendolo Sforza, Fortebraccio, Baccarin della Leonessa and Gattamelata, whose wife Giacoma, after widowhood, owned Montegiove and maintained the property with intelligence and insight, and during the period of 1455 till 1466 carried out important transformation and restoration works necessary due to the continuous incursions and raids. 

When the gunpowder was discovered the original structure of the castle had to undergo considerable alterations. In front of the original gate a ravelin was constructed from where it was possible to protect a new entrance gate with drawbridge positioned in a building close to the old external wall. Furthermore a round and a square tower was erected protruding from the old ring wall enabling grazing fire and the entire external ring wall of the castle was lined thus thickening the surrounding wall by one Orvieto foot (34 cm). A second ring wall was constructed with a drawbridge and a portal where it is possible to see a square stone where Giacoma displayed Gattamelata’s coat of arms. To honour her husband’s memory Giacoma commissioned the renowned sculptor Donatello to make an equestrian statue. Today this statue stands in Padua, the first memorial to a man not of royal birth. 

After passing the bridge leading to the courtyard you arrive at the original entry gate to the castle where the counts of Montegiove’s cote of arms is clearly visible above the doorway, but another plait carved in the architrave of the new fireplace in the entry hall bears witness of the power of the Gattamelata and also certifies the dates of the different stages of construction of the castle.

The will by notary Giacomo della Leonessa states that Giacoma Gattamelata bequeathed all her possessions to her daughter Todeschina who married Antonio di Ranuccio, count of Marsciano in 1460 and hereby through marriage the castle of Montegiove returns to the ancient proprietors. Todeschina and Antonio had 11 children of whom 9 were minors by the death of their father, and in 1505 commenced the fights between the children for the heritance of the vast territories. Bernardino survived his brothers and sisters and his two sons Ranuccio and Alessandro divided the castle (the tower and the cistern remained undivided). Ranuccio carried out new restorations of the damaged constructions due to heavy earthquakes having injured the walls, but he also carried out numerous alterations in order to adhere to more contemporary demands.  

After the wars and the appeasement between the neighbouring warlords following the descent of Charles the VIII, defensive castles lost importance and were now transformed into mansions with the characteristics of a city palace. Behind the defence walls new ring walls were constructed to give space for gardens and courtyards. The restoration also led to embellishment of the inner halls, picturesque decorations and grandiose fireplaces. The dates of the restoration are confirmed and visible on two iron rings attached to the outer wall. These rings were meant for tying the horses and bear the date 1562. 

On the 2nd of January 1500 the division between the two brothers gave Bernardino’s second son Alessandro the other half of Montegiove, and once more through daughters descend the various later owners like degli Atti and the Aviamonzi.

In the year 1780 Angelo Misciattelli was granted a perpetual lease of all the land owned by Monsignore G. Varese degli Atti. The Misciattelli family already owned surrounding land and unified the ancient fief to the castle’s property. Later the old castle was adapted to agricultural purposes leading to transformations, demolitions and additions. At the end of the 19th century the property passed on to the Marchese Lorenzo Misciattelli who commenced the restoration according to the criteria of the 19th century in order to transform the castle into a country residence.  


“the Madonna of Foligno” by Rafaello


La Beata Angelina di Montegiove

GATTAMELATA
The statue of "Gattamelata" by Donatello


View of Montegiove at the late 1800

 

Sources:

  1.  The history has been vastly studied by: Simoni, C., 1925. Il castello di Montegiove “de montanea”, Rome.

  2. Carpentier, E., 1986. Orvieto “à la fin du XIII S.” Paris, pp. 8-9 e 126-132.

  3. The donjon tower existed until the beginning of 1800 when is was torn down by Marchese Geremia Misciattelli who claimed that it attracted lightening which had caused the death of two members of his family.

Further reading

Link to Mondimedievali's accounts of the
Castle's history (in Italian)